The latter wrote: "Both male soloists...maintained faultless, powerful vocals even through trickier, fast-moving passages and moments where the piece tested their vocal flexibility in terms of range. Similarly too, the female soloists...were equally as outstanding throughout the entirety of the performance, particularly during quartet and quintet passages with other soloists. Commendable too was all five soloists' ability to project their voices without losing moments of beauty and sensitivity during quieter passages, whilst still holding back to project even more power for more dramatic and forceful sections..." What more could a choral society want?

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